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“I’d heard the ‘Reflections’ sample (by Japanese artist Toshifumi Hinata) years ago. “The song itself is about how it’s very easy to be on the outside and say things like ‘Don’t do drugs!’ But it's not the same when you add in the context of a person's life.” You know when you listen to someone so much, you dream that you're cool with them? I've had that-so that session was just crazy, man.” So to get in with Tef is something I’ve dreamt about a couple of times. He’s inspired a lot of my early music-him and Carns. “I've been listening to Youngs Teflon since I was maybe 16. The Nas song ‘Stay’ talks about how guys have ops, but deep down, in a sense, they know they need each other, because one gives the other purpose. Their jobs put them up against each other, but you also see there's a mutual respect for one another. “The story of this song comes from watching The Wire-I was inspired by the love-hate relationship between Bodie and McNulty. And the fact that people can hear the chemistry in the song, it shows that S is good people!” When collaborating, I always try and speak beforehand-so that’s where our strong connection comes from. “I recorded this in Tottenham, and it was actually my first time meeting SL. They were all so young but played instruments like grown men! He eventually reached out, and played saxophone on ‘Vows.’ From there, we’ve kept working: Every time I need a sax, I shout at V, and anytime he needs a verse, he shouts at me.” I’ve known Venna since he was in a group with other musicians. Introducing the block I'm from, and things that remind me of my youth in Kilburn. “This is the first song I recorded for the tape. “Even if I wasn’t meant to be involved, I’m still there, directing.” Read on for his own track-by-track guide. “With everything, I’ll try and have a hand in it,” he says. The tracks are layered with witty rhymes and melancholic storytelling, while the rapper-who famously brands his signature with the mantra “NODAYSOFF”-also impresses with co-production credits on several singles (“Hide & Seek,” “Nice & Good”).
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So it's only right I introduce myself, from the beginning.” Channeling his memories of 2000s London with carefully selected samples, thoughtful dialogue, and classic TV homages, Knucks pieces together his most unguarded set yet. “The person I am today was birthed there. “Alpha Place is the street I lived on-and Alpha House is the block ,” he says. On his debut album, Knucks reveals shining admiration for the estate that raised him.
I try not to see everybody who has criticism of me as a hater.” They're still in there, but in different form. “Obviously, it's not going to stop me doing interludes anymore, but I'll find a way to do it so it's not such a hassle to the listener. “One of the criticisms I kept seeing was the use of interludes,” he says of 2020’s mixtape. Narrating his experiences growing up in London, estate adventures meet harsh coming-of-age tales-and feel refined against the soul-searching of previous release London Class. Every day I’m learning something new.” The London-hailing rapper couples steely self-assurance with an impassioned zeal for his art, and the evolution of that blend is present on ALPHA PLACE.
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I’m even trying to teach myself how to play the keys by ear. “I’m sure I can improve my writing, my production, too. Note: When you embed the widget in your site, it will match your site's styles (CSS).“I don't think I'll ever stop needing to improve,” Knucks tells Apple Music.
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